top of page

Via The Metal Wanderlust : "Serocs is one of the elite technical bands I have been following for a while. Serocs transformed from being a one-man project to being an international collaboration to form a complete band. They are mainly inspired from the legendary technical death metal band Spawn of Possession along with the wicked Cryptopsy, which brings huge delight to me along with high standards of expectation. Fans like me ache for intense and intricate technical death bands like Spawn of Possession and Necrophagist, who left their huge impact on the genre, and then died/disbanded, leaving fans in disbelief.


A few months before this review, along with a teaser, Serocs announced they will be releasing a new album. Naturally I was intrigued, I was ready for anything from them. Serocs’ past releases have been really good, but always left me with the impression that there is potential for more, which would give them the exposure and fan base they should have. Their previous release was ‘And When the Sky Was Opened’ that was released in 2015.


With this new release Serocs is now definitely a first-class must have band for all technical death metal fans. Naturally, like their predecessors, they made it powerful, energetic, complex and mind-boggling. Serocs, along with announcing ‘The Phobos/Deimos Suite’, released their first single ‘SCP-106’, and damn did they step up their game this time. They have now added a flavour of unexpected brutality missing in their prior releases, which fit perfectly in their music style. I decided to listen the full album and obviously, I was blown away. The album has 10 songs, composed over many years (2008-2018). It also features stunning art by Nicola Samori, very reminiscent of historic works by celebrated artists like Da Vinci and Michelangelo. The art features a man who seems to be losing his face into sand, an image which works very well with the kind of music Serocs created.


Listeners should be prepared for a barrage of needling razor-sharp riffs under brutal roaring vocals. The twangy bass is prominent in the mix along with a foundation of outstanding drum work. Every instrument and the vocals stand out uniquely together, which is quite rare in this genre. All members are in full form and there is superb harmony in the composition of the instruments, working together to pummel the listener like an earthly beast. The album is like a crazy hurricane, pulling the listener into a vortex of extreme soundscapes. The band members marshal uncontrolled instrumental pyrotechnics into a controlled form. Oddly enough, the band also sounds like they are freestyling, making it complex to recognize the path their song is taking.


Although the band chose a great technical formula, it can sometimes can get monotonous for the listener. Still, Serocs packs the album full of tasty riffs and instrumental passages. Grooves are embedded into every song and are rarely repeating, transforming and constantly changing. It is hard to not headbang to every one of them.


Most of the tracks are hard to tell apart. Thus, the album flows and fits neatly together. The short beautiful ambient track ‘Lethe’ in the middle provides momentary relief before being drawn back into the madness that is this album. The final lengthy track ‘Deimos’ is their magnum opus, quite similar to an experimental odyssey by Spawn of Possession, with Serocs own unique style which they are shaping.  I highly recommend my favourite track ‘SCP-106’ to get a taste of the album, the intro is just fantastic along with pounding vocals, dashing technical riffs and highly enjoyable beats in the end.


Along with the magnificent art, the modern crisp production is commendable, and it does complete justice to all elements of the album. Clocking at about 47 minutes, the length of the album is just perfect. It seems the band almost left no stone unturned to make an entertaining slab of music for the technical death metal fan. Even though it seems that the band did not put them on purpose, I felt that the album could use some more hyper speed shredding guitar solos, however the band makes up for it in the other departments. I absolutely loved the newly added dash of brutality with the vocals and stellar production.


This masterpiece is definitely one of the best death metal albums of 2018. It shall be released on Everlasting Spew Records, a great record label with a roster of many good releases. You can find and buy the album here – https://everlastingspewrecords.bandcamp.com/album/the-phobos-deimos-suite


Rating 5/5. (Too bad I can’t give it a higher rating. Go buy this already)"

Originally written by Karan Sethi for The Metal Wanderlust




 
 
 

Via Grimmgent : "What used to be a one man band, now evolved into international band Serocs. Guitarist Antonio Freyre released two EP’s and one full-length. And now, two more full-lengths and some line up changes later, Serocs is at it again with their new release The Phobos/Deimos Suite. With musicians from bands such as First Fragment, Chthe’ilist and Agressor you can count on some serious cataclysmic death metal.


The Phobos/Deimos Suite takes you back to the late ’90s and early 2000s and further evolve the technical death metal sound. The concept album tells the story of a man exploring Hell, but not like you would imagine it. Not the kind with demons, the devil and eternal flames. It is the Hell in our heads, created by our dwelling ego, anxiety and mistakes. Tales like The Divine Comedy and A Christmas Carol inspired the story of this album.


Being is the track that inaugurates this album. The band immediately shows their technical capabilities with some fast drumming, technical riffs and an insane bass lick. The grinding vocals from Laurent Bellamare are like the death metal cherry on top. While being unquestionably technical and fast, the band shows they have thought of rhythm as well.

The second track, which was the second single they released too, is called Nihilus. This song starts off with a few slower chords, but as expected, this only lasts for a few seconds. After this, you are facing some skull splitting, face melting, brutal technicality. Instrumentally, there is a lot going on and the lyrics are not left behind. The character this album focuses on facing his destructive behavior as well as his egotistical nature. This might be my favourite from the album.


(REM)nants is the fourth track on the album. Something that immediately caught my attention, is that it is somewhat groovier than the previous songs. This might be the break from continuously intense shredding we may need in this album. Even if it is just to prepare ourselves for what is more to come on this album.

The first single Serocs released was SCP-106, and this is the eighth track of the album. This song tells the story of a entity known as Charon/Haron/Phlegyas, who carries the souls of the deceased across the mythical river Styx to the underworld. This alone already is a fascinating tale, combine this with the great musicality of this band and you have some pleasure for your ears.


Deimos is the tenth and last song on the album. What first caught my attention was the length, which is eleven minutes. The clean, echoing intro captivated me and tickled my curiosity. They added a nice element of diversity with this. With Deimos being the god of terror in Greek mythology, you can expect where this song is going musically. Additionally, they played with diversity in this closing chapter. This is the last chance on this album where they can show their skills, and they took this chance.


The Phobos/Deimos Suite is an amazingly technical album that suprised me with every song. The musicianship is incredible. The guitar duo in this band consisting of Antionio Freyre and Phil Tougas provided this album with sick riffage and showed some indubitable talent. Kevin Paradis naturally is the right drummer for this, with some amazing speed and skill. Along with the unbelievable capability of bassist Antoine Daigneault and of course vocalist Laurent Bellemare. As a result of all this bundled talent you get an amazing piece of music. I truly hope this album gets the love it deserves." Written by Courtney for Grimmgent.com




 
 
 
bottom of page